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1. Ce Freza Mi Se Potriveste Program

Over the years The UAD Gala has established itself as a platform whose aim is to promote young graduates of the UAD Department of Fashion Design. Through the graduates’ fashion show, which involves very complex logistics, innovative collections are presented to specialists and representatives of the creative industries. The collections always try to be relevant for the 21st century fashion landscape, through themes that are focused on specific issues of contemporary lifestyle, a thorough study of volumetries and clothing morphologies generating novel interventions on textile surfaces, the relationship between body and garment, and an elaborate styling.The implication of the Department of Fashion Design in the educational process of their students is rewarded by their professional achievements. Thanks to scholarship programs, the UAD students were able to apply and be accepted in internships at international brands such as: Ann Demeulemeester, Craig Green, Ann Sophie BACK, Nasir Mazhar, BLESS, Erdem, Marios Schwab, Meadham Kirchhoff, Barbara i Gongini, Ashish, Michael Sontag, HAAL, H&M. Two of last year’s Gala graduates have obtained important results: Andreea Castrase now works for the department of creation at H&M, and Ancuta Sarca was one of the finalists of the international competition, Designer for Tomorrow.This year’s collections were living proof of the educational and professional development that takes place within the Department of Fashion Design. With the didactical support of Elena Basso Stanescu, Lucian Broscatean, and Anca Pia Rusan, the students designed versatile, functional, and modern collections.

There were collections that stood out immediately, and collections that were more subtle in their artistic approach. But each and every one of the 27 collections had something particular, something creative, and personal. The 10 collections I chose to analyze represented, for me personally, aspects of the fashion universe that interest me. The way they were portrayed in these collections offered me the chance to explore those aspects from a different perspective.RAMONA MANGHIUCRamona finds inspiration in Romania’s recent past, and delivers a collection that is nostalgic in a playful manner. During the communist years, the uniform played an important part in people’s lives. From kindergarten, until employment, the uniform gave its wearer a social identity. Ramona Manghiuc reinvents the notion of the uniform by playing with its characteristics. Download pokemon yellow rom psp free.

She uses simple shapes, primary colors (referencing the colors of the Romanian flag) in order to orchestrate contemporary ensembles that revolt against an oppressive system, whose days are over, but whose cultural repercussions are still present. The styling of the collection uses symbols of bravery, badges of honor which she transforms in simple embellishments, esthetical objects without any historical meaning for those that did not live during the communist years. Even the title of the collection speaks of a loss of meaning, a blissful historical amnesia: Ceau, an abbreviation of the fearful communist leader’s name, becomes a cordial form of greeting.BOGDAN DRUTABogdan Druta’s revolt is also connected to the idea of identity, but in his case it is a physical, not a social one. He seeks freedom in constraint, acceptance in discrimination, vulnerability in intolerance. The designer’s unisex rendering of shapes reveals his desire to blur the physical boundaries between sexes. The garment’s earthly tones represent his visual statement against contrasts. His protest is a subtle one, but his clothes are powerful enough the stand alone.LILIANA TIMISThe road to self-discovery is paved with ambiguity.

Liliana Timis invites us on her personal journey of identitary exploration. Her monochromatic visual composition is an introspect reflection on the concepts of androgyny, identity, and the ambiguity of such concepts. The rigid surfaces of the black garments are invaded by unexpected transparences.

The play on surfaces and textures is sometimes intriguing, and the consistent styling communicates harmoniously with the musical arrangement of the collection, Bernard Herrmann’s composition for Hitchcock’s Psycho.ADRIANA TIMOFTIOne has to re-tie the knots with tradition from time to time, and Adriana Timofti felt this need, so she transformed it into a subtle reinterpretation of ethnicity through her collection. By using traditional symbols, she designed well-tailored minimal pieces that evoke an archaic world in such a way that it looks contemporary. Her combination of different textures, bound by zippers, and accessorized with geometric- shaped designer objects seemed to be a smart approach to the symbolic signification of the knot.NICOLETA BOTNARUThe auditive enhancer that first caught my attention, a track from Kubrick’s Eyes Wide Shut soundtrack, was part of Nicoleta’s device to lure us into a world of utopia, decadence, narcissism, and illusions, a world that might seem a little too similar to the world of fashion. Her well-tailored garments are not simple pieces of clothing, but personal statements of opulence and social status. They are revealing the body, but are protecting the wearer by communicating her belonging to a privileged group.

Though the intangibility is only a mask, the frailty of what’s behind it is always intriguing.ANA MARIA PUTAnamaria Put delivered a clean and functional collection, composed of desirable modern pieces. The woman who would wear her designs, her future client, surely is someone who knows who she is, she wants her clothes to be versatile, and offer her freedom of movement. She likes her clothes to be subtle in order to enhance her personal aura of mystery. She is a traveler, collecting new meanings in each journey she takes, as her clothes do.CARLA PUTAn “all black” collection is mistakenly considered by some as something easy and safe. A monochromatic collection can become repetitive, boring and pretentious really fast. But not Carla’s collection. Her non-color statement is emotional, bearing something eerie within it.

The smartly placed brooches, and necklaces makes one think of ritualic objects which, if positioned accordingly, have the ability to offer access to its wearer into an imaginary space, a supernatural realm where the conscious intertwines with the subconscious. But despite this visual metaphor, the clothes are strong enough to function on their own. They are well tailored, wearable, and functional.LUIS DRAJANIn our present times, the existence of subcultures is a subject up for debate. The short life of trends, the uncontrollable desire for what’s new, and a predisposition for scrolling through social groups makes the process of consolidating a subculture almost impossible.

If today’s culture is focused on individuality, then maybe the subculture that derives from it is that of an individualism of excesses. Its members are those who cultivate a lifestyle of hedonistic excesses. Their weapon of choice is narcissism.

Luis Drajan’s collection offers us a glimpse into such a subculture. The clothes that he designs may well function as uniforms for the sympathizers of a radical narcissism. Always ready for party, seeking attention through self-irony, they prefer to detach themselves from reality and live their augmented lives within online social platform. The “nostril bleeders” as the designer nicknames them are aware of their addiction, and because they expose it in such a detached manner, they make us uncomfortable, and question our own hidden addictions.SABINA POPSabina Pop’s collection is inspired by women who have influenced the art world.

Artists such as Judith Chicago, Louise Bourgeois, and Vanessa Beecroft were her muses, their art functioning as background for Sabina’s exploration of the idea of emancipation. Throughout her collection she experiments with different patterns, textures, in a colorful juxtaposition. The woman she envisions finds liberation in reappropriation. The way she uses color blocks and geometries communicates, at a visual level, the daring nature of the wearer and her preference for a modern wardrobe. Like her muses, who succeeded in liberating themselves through their art, Sabina offers us the possibility to dare and experiment with our wardrobein a liberating manner.EMESE BAKOLike your favorite scene from a movie, or a song that you like so much you play it on repeat for two days, a memorable fashion collection haunts you.

It sticks to your retina and travels with you until it becomes a memory, and a benchmark for future aesthetical references. But like memory, fashion can sometimes play tricks on you. Because it is such a powerfully visual medium, in many cases the image can be more powerful than the message, but not in the case of Emese Bako’s collection. Her inspiration comes from the idea that “attitude becomes form”. Her aesthetical analysis of this idea becomes an in-depth exploration of the transformation of concept into object.

For her, fashion is a trickster, the crystal embellishments she applies on the garments play with our perception, their movement and sparkle seduce us, and trigger our imagination. The purple velvet used in some of the pieces induces a dreaming state, and the shiny surfaces, elegantly reveal the transparencies. Her understanding of fashion is mature because her designs are not artistic experimentation with form; they are functional objects of desire. Together with the styling of the collection and the haunting soundtrack (Skeeter Davis – The End of the World), Emese Bako’s collection truly stands out.Our present is governed by rupture.

It exists in the enormous differences between social classes, in financial inequalities between countries, in the way media communicates different events, in the way we communicate with each other. Current socio-political events force us to find ways of escaping reality, hoping that this way all that’s bad will go away. But nothing good can ever come out of such an approach. What we can do is find ways of fighting against these ruptured times.

Together, with their own means, within the walls of the University of Art and Design from Cluj-Napoca, the department of Fashion Design, composed of students and their professors managed to find the perfect “weapon” for fighting against troubled times: creativity. Fashion is not a secluded domain; it does not rely on solitary elements, it is dependent on communication, collaboration, and interdisciplinarity. It may not solve diplomatic conflicts (although I’m sure that it helps in some ways), or stop world hunger, but it will keep on asking questions and try finding answers through creativity.Photo credit: Emil Costrut, powered by, Claudia Corega.

Schimbarile, mai ales cele radicale, nu au prea facut parte din viata mea de pana acum. Din diferite motive, sau poate doar din comoditate, am ales mereu sa urmaresc si sa analizez schimbarile din jurul meu distantandu-ma de ele. Treptat, mi-am creat un spatiu privat in care ma simteam in siguranta, cu care ma identificam, in care puteam sa ma dezvolt in ritm propriu.

Acest tip de spatiu cred ca e mai cunoscut sub denumirea de „zona de confort”.Astfel ca, invitatia din partea echipei de a deveni noua lor imagine a insemnat pentru mine o provocare, din mai multe puncte de vedere. A fost o provocare din punct de vedere estetic (aceasta e prima data cand ma despart de culoarea mea de par naturala, e prima data cand am ocazia sa experimentez atatea tipuri diferite de machiaj si de coafura), a fost o provocare din punct de vedere al modului in care comunic si ma comunic exteriorului, si nu in ultimul rand, a fost o provocare din punct de vedere personal (am avut ocazia de a-mi deconstrui „zona de confort”).Am acceptat aceasta provocare in primul rand pentru ca a venit din partea unor profesionisti in care am incredere. Daca cititi acest blog, stiti foarte bine ca am urmarit inca de la inceput activitatea salonului.

Vestige este un proiect conceput de cei doi fondatori ai sai, Simina Cheteles si Raul Tisa din pasiune, dedicare, si dorinta de a impartasi celor interesati o altfel de viziune asupra frumusetii, o frumusete privita ca un atribut al personalitatii. Este de asemenea primul salon din Cluj care a fost alaturi de tinerii designeri clujeni oferindu-le un spatiu in care isi pot expune creatiile vestimentare spre cumparare (showroom-ul a fost inaugurat odata cu salonul Vestige Atelier des Beaux Arts, iar acum s-a mutat in cel de-al doilea salon Vestige, Vestige Centre Ville). Aceasta fiind doar una din multele colaborari frumoase dintre salon si zona designului vestimentar. Printre colaborarile de seama ale sale se numara colaborarea cu Gala UAD, cu Festivalul de film TIFF, cu cele mai de seama reviste de specialitate, ELLE si Harper’s Bazaar, participari la concursuri nationale si internationale workshop-uri tinute de experti din domeniul modei.Al doilea motiv pentru care am acceptat provocarea de a deveni imaginea lor a fost transparenta de care au dat dovada in promovarea acestei imagini.

Daca alte saloane aleg sa apeleze la modele profesioniste, Vestige a riscat de la inceput si a preferat sa reinventeze frumusetea neexplorata a unor femei obisnuite. Astfel ca, schimbarea de look devine ceva mai mult decat o simpla schimbare de look, ea implica o schimbare de atitudine si induce curajul de a explora diferitele ipostaze ale propriei feminitati. Cu ajutorul Siminei Cheteles care mi-a compus frumoasa nuanta de blond pudrat rose, al Lidiei Gligor care mi-a scos in evidenta feminitatea, prin machiaj, purtand creatiile talentatului designer Ovidiu Pop, accesorizate de bijuteriile unicat create de Raluca Buzura si gentile semnate INDEE, am intrat in pielea unor diferite tipologii feminine. Pe parcursul acestei transformari am avut ocazia sa joc diferite personaje, realizand in final ca fiecare dintre ele contribuie la construirea propriei mele identitati. Pot fi seducatoare, romantica, gingasa, rafinata, creativa, sofisticata.

Descoperindu-mi aceste noi ipostaze, am realizat ca feminitatea poate fi cea mai subtila arma a unei femei, pentru ca ea confera frumusetii puterea de a deveni atemporala.(scroll down for the english version). Concept and Hairstyling – Simina Diana ChetelesMake-up – Lidia GligorFashion Designer – Ovidiu PopJewellery Designer – Raluca BuzuraBag Designer – INDEEPhotographer – Emil CostrutChanges, especially radical ones, have never been an important part of my life. For various reasons, or just out of convenience, I always chose to follow and analyze the changes around me by distancing myself from them. Gradually, I managed to create a private space where I felt safe, a space in which I found myself, and where I was able to grow at my own pace. This kind of space I think it’s better known as the “comfort zone”.So, the invitation that came from the Vestige team, to become their new image represented a challenge for me, from different aspects. It was a challenge from an aesthetic point of view (this was the first time I changed the color of my hair, the first time I experience such a wide range of hairstyles and make-ups), it was a challenge for the way in which I usually communicate my identity to the world, and last, but not least, it was a challenge from a personal point of view (I had the opportunity to finally deconstruct my comfort zone)I accepted this challenge first of all because it came from a team of professionals in whom I trust.

If you are followers of my blog, you already know that I have been following and supporting the activity of Vestige Atelier des Beaux Arts. Vestige is a project conceived by its two owners, Simina Cheteles and Raul Tisa, out of passion, dedication, and the desire to share a different vision of beauty, a beauty regarded as an attribute of personality.

It is also the first beauty salon in Cluj which supported young designers by offering them a space where they could showcase their designs (the designers showroom was open at the same time as Vestige Atelier des Beaux Arts, but it was recently moved and rebranded inside the second Vestige beauty salon, Vestige Centre Ville). This is just one of the many special collaborations between Vestige and the fashion design domain. Among the most notable collaborations there is the collaboration with the UAD Gala, with the TIFF Film Festival, with ELLE and Harper’s Bazaar, participations in national and international competitions, workshops organized by the salon in Cluj, held by experts from the fashion field.The second reason for which I accepted the challenge of becoming their image was due to the transparency they have shown in promoting their image in the past. If other salons turn to professional models for their campaigns, Vestige chose to take a risk, even from the beginning, and preferred to reinvent the unexplored beauty of an ordinary woman. Thus, a makeover becomes more than a simple change of look, it also implies a change of attitude and gives you the courage to experiment the different aspects of your own femininity. With the help of Simina Cheteles, who dyed my hair in this beautiful shade of powdered pink blonde, and of Lidia Gligor who highlighted my feminine features through make-up, by wearing the design pieces created by the talented Ovidiu Pop, accessorized by designer jewellery made by Raluca Buzura, and INDEE handbags, I managed to portray different types of feminine beauty.

Throughout this transformation, I had the opportunity to play with different characters in which I discovered bits and pieces of my own character. I discovered that I can be seductive, romantic, delicate, refined, creative, sophisticated. By discovering new facets of my own femininity, I realized that femininity can be women’s most subtle weapon, because it offers beauty the power to become timeless. Last Friday, the Romanian brand Irina Schrotter presented its spring – summer 2016 collection during MQ Vienna Fashion Week.

This is the third consecutive season in which the brand’s collection is showcased on the official schedule of this event. A soothing feeling of accomplishment transcended this collection because Lucian Broscatean succeeded once again to reinforce the brand’s identity.

Relevance, consistency and emotion are the three concepts which represent the basis of Lucian Broscatean’s reconfiguration of the brand since 2012 when the Romanian avant-garde designer started his collaboration with Irina Schrotter.There is a sense of easy at the heart of this collection. This may be due to the cleverly orchestrated play on textile surfaces, the use of a relaxed pallet of colors such as beige, ochre, white, navy blue, or the predominance of one – piece outfits which can function as standalone pieces or can be easily combined with other garments existent in ones wardrobe.

By just looking at the collection one can easily identify the characteristics of the woman envisioned by Lucian Broscatean, together with his two assistant designers – Carmen Chereches and Diana Flore. She is sensitive and sophisticated, discreetly powerful, unapproachably sexy. She knows that clothes can have a functional side, but also an aesthetical one, that is why sometimes, when she is complimented on her outfit, she mentions the cultural and artistic references that her clothes carry within them: “I love this dress; it’s so functional, like a Bauhaus project”. The geometric cuts, the asymmetries which reshape the silhouette and the patterns which can be reconfigured through styling could be related with the Bauhaus movement, but more than a literal reference, it is the idea of a creative collaboration which may link Irina Schrotter’s collection to the movement. There were the shoes designed by Mihaela Glavan which is a long time collaborator with Irina Schrotter, and the two models promoting the collection in the campaign images – Larisa Citea (one of Irina Schrotter’s favorite model) and Fica Balancan (one of Lucian Broscatean’s favorite model), and the consistent input of Carmen Chereches and Diana Flore that have succeeded in creating a coherent and relevant collection.Photos – Emil Costrut. This week the Romanian brand MURMUR launched a new line of clothing, dedicated to a more private audience, MURMUR Roleplay.

As those of you who are familiar with the brand may already know, the aesthetic explored by its designer Andreea Badala is centred on seduction, on sensuality and desire. The MURMUR woman is a strong woman because she knows how to explore her femininity through specific elements which define the feminine universe.

Her private space is where she feels comfortable, and her clothes are her weapons of seduction.With this new line of clothing, MURMUR Roleplay, Andreea Badala wants to explore the hidden corners of her woman’s private space. What she discovers is a place of escape from the everyday restrictions, from socially accepted norms which enclose her fantasy. MURMUR Roleplay explores this “forbidden” place and turns it into a playground for those willing to enter it, offering them an appropriate wardrobe for their secret fantasies.This new clothing line is composed of outfits, and pret-a-porter pieces inspired by fantasies and roleplaying. Be it a sensual housewife, a seductive housemaid, an untamed athlete, a temptatious nun, or a naughty schoolgirl, all of these roles that a woman plays in order to allure the outside world into her private space are part of a process of self – discovery.

All these different characters are hidden inside a woman’s subconscious. The trick is to know how and when to let them out to play.The collection was launched in a nonconventional space – a hotel, as a performance where different models playing different roles were placed in separate rooms of the hotel.

The performance was designed to resemble a peep-show where guests were invited to visually explore the phantasies orchestrated by the designer.Photo: George SanduYou can find the collection at: http://www.murmurstore.com/roleplay. Last weekend I was invited at the Fashion Garden, one of the many events that took place during the Transylvania International Music and Art Festival (TIMAF) in Cluj. For four years now, this festival seeks to offer the public the chance to interact with different cultural fields and to create a coherent dialogue between the public and relevant figures that activate in these fields. Fashion Garden is at its second edition, and this year it was “planted” in the heart of Cluj-Napoca in a pop-up space which displayed pieces from the graduate collections of some of this year’s UAD students. Besides the thorough selection of designer pieces, the Fashion Garden hosted a series of Fashion Talks where important representatives from the Romanian fashion and beauty industries discussed different aspects of their professional journey.Lucian Broscatean, who manages to focus on his own conceptual fashion brand, and teach at the University of Art and Design, talked about the importance of academic guidance for a young fashion designer. The University of Art and Design from Cluj-Napoca offers its fashion students the opportunity to apply for internships at international brands, where they can learn how to function in the world of fashion, to experience the making of a collection, to deal with the everyday pressures and deadlines, to interact with other designers and other fashion systems. Ioana Ciolacu, a young Romanian fashion designer, who recently won the international ”Designer for Tomorrow” contest, talked about her personal fashion journey, and about the many ways in which winning an international contest changed her professional path.

Andreea Macri, a valued Romanian fashion editor, working for The One Magazine, and a well known international fashion photographer, revealed some of the “behind the scenes” secrets from the international fashion weeks. Her backstage and runway photos capture not only the clothes, but the beauty of fashion and the uniqueness of moments in time. Alexandre Eram, the creative brain of the cosmetic brand Melkior, offered us an interesting presentation about the mechanisms behind beauty, fashion and trends in the world of cosmetics while focusing on his own brand. Last, but not least, two representatives from Farmec, one of the leading Romanian cosmetic brands, talked about the importance of inner beauty in relation to aesthetic beauty, offering us useful tricks on how to feel and look beautiful.Raluca Popa, the one responsible for planting the first fashion seeds in the Fashion Garden, succeeded once again to bring together a handful of creative minds whose discourses tackled very interesting aspects of our fashion industry. The main subjects of every fashion talk were different, dealing with specific elements from the fashion and beauty system, but they all found common ground in their commitment towards building a coherent and functional system whose main goal is to support and promote beauty and craftsmanship, talent and professionalism, dedication and perseverance.

In urma cu ceva timp, m-am intalnit cu designerul din cadrul Fabricii de Pensule si mi-a povestit pe indelete despre importanta pe care arta o are in procesul sau creativ. Uitandu-ma la imaginile si la materialul video realizate pentru cea mai recenta colectie a sa (toamna-iarna 14/15), imi vine in minte seria de fotografii realizata de fotograful Irving Penn in colaborare cu Marcel Duchamp. Decorul in care Penn a imortalizat portretele unor personaje emblematice pentru secolul 20 (Truman Capote, Georgia O’Keefe, Marlene Dietrich, Igor Stravinsky) a fost conceput de Duchamp: doi pereti alaturati care formeaza un unghi de 22,5°. Efectul vizual pe care acest decor reuseste sa il creeze ne transmite, dincolo de imagine, ideea de individualitate, de singuratate acceptata, de siguranta, de singularitate.Nu sunt sigura daca experimentul pus la cale de Irving Penn si Marcel Duchamp are vreo legatura reala cu imaginile din, dar sunt sigura ca experimentul pus la cale de designer la nivel de concept, materiale si tipare functioneaza atat in imagini, cat si intr-o realitate in care unghiurile sunt de 90°. Recent deschis in Cluj-Napoca, nu este doar un centru de infrumusetare, este un proiect gandit de cei doi fondatori ai sai, Simina Cheteles si Raul Tisa, ca un spatiu in care frumusetea nu este privita doar ca un artificiu ci ca un atribut al personalitatii. Este un proiect conceput din pasiune, dedicare, si dorinta de a impartasi celor interesati o altfel de viziune asupra frumusetii. Pe langa serviciile aferente unui salon profesionist de infrumusetare, salonul Vestige organizeaza periodic, in cadrul, cursuri de coafor-stilist, manichiura, machiaj, cosmetica si ateliere pentru pasionatii de moda si vestimentatie.

Salonul gazduieste si un showroom, singurul showroom de acest gen din Cluj-Napoca, in care sunt expuse creatii ale absolventilor sectiei de fashion design UAD cat si creatii ale designerilor care activeaza deja pe piata nationala si internationala. Ca sa aflati mai multe despre showroom-ul am stat de vorba cu Teodora Baciu, coordonator al echipei de designeri ale caror creatii (inclusiv ale Teodorei) le puteti gasi in showroom-ul de pe strada Constantin Brancusi, la numarul 126.Cum se integreaza Vestige Pret-a-Porter in conceptul Vestige/Atelier des Beaux Arts?Vestige Pret a Porter vine la pachet cu tot ceea ce inseamna Vestige Atelier des Beaux Arts, este o completare fireasca in ideea in care ne-am dorit sa oferim servicii complete de beauty and fashion. Se simtea nevoia unui loc in care sa se gaseasca toate aceste servicii, scutind astfel mult timp si beneficiind de consiliere. Clientii vor putea beneficia oricand de consiliere gratuita atat pe partea de hairstyle si make-up, cat si pe partea de pret-a-porter. La fel cum in cadrul serviciilor de beauty va consiliaza profesionistul, la fel, un designer va va consilia in alegerea tinutelor potrivite, iar in asta consta plus-valoarea acestui serviciu. In fiecare zi un designer sta la dispozitia clientului. Vestige este atat un beauty center, cat si Academie, iar cei interesati sa descopere trucuri din lumea modei pot participa la atelierele adresate publicului larg, de coafor, make-up, dar si de moda si stil, unde clientele pot sa-si completeze cunostintele despre dress code, despre cum sa se imbrace conform siluetei sau conform varstei, ori sa-si aleaga accesoriile in mod potrivit.

Pe scurt, cu ajutorul acestor ateliere vor putea sa-si contureze mai bine imaginea.De subliniat este sinergia dintre ramurile atelierelor, care creeaza o identitate vizuala completa. Asadar, Vestige Pret a Porter se potriveste manusa pe acest proiect care se vrea a fi un atelier complet de frumusete.Cum a fost facuta selectia designerilor a caror creatii pot fi gasite in concept store-ul Vestige Pret-a-Porter?Selectia designerilor a fost facut in asa fel incat sa existe unitate in diversitate. Jumatate sunt proaspat absolventi ai sectiei de fashion design de la UAD Cluj, iar cealalta jumatate este formata din designeri care lucreaza deja si sunt pe piata de cativa ani.

Am dorit sa existe o baza de produse clasice reinterpretate, dar care sa fie condimentate cu piese fresh, avangardiste, de la newcomers. Astfel am creat un mix in care se vor putea regasi toti clientii.Pe viitor, veti mai adauga nume noi la lista designerilor prezenti in concept store?Vom coopta si alti designeri care au o viziune si o linie compatibila cu conceptul nostru, iar primele noutati vor veni din sfera accesoriilor, la inceputul acestui an.Am observat ca multe dintre piesele expuse sunt unicat sau in serie limitata. Se vor putea achizitiona, prin comanda, piese extra si piese de diferite marimi pe acelasi model ca cel al pieselor expuse in concept store?De la inceputul anului 2014 se vor putea gasi produse pe mai multe marimi,in general ne vom extinde pe zona de serie mica, ceea ce inseamna ca va fi produs un model pe maxim patru marimi. La unele produse se pot comanda deja marimi mai mari sau mai mici. Vom crea colectii capsula pe sezoane, insa nu vom crea foarte multe bucati din acelasi model deoarece clientii nostri tocmai pe asta mizeaza. Iar unele piese mai deosebite sunt create de la inceput ca sa fie unicat, produse in serie, acestea si-ar pierde din pretiozitate.Designul vestimentar “made in ro” incepe sa isi faca loc in tot mai multe garderobe ale iubitoarelor de moda. Si totusi, numarul celor care sunt familiarizati cu designul vestimentar autohton este unul destul de mic.

Cum v-ati gandit sa promovati publicului larg acest spatiu si designerii pe care ii gazduiti?In primul rand, insusi spatiul ales este o modalitate de promovare. Clientii care vin sa beneficieze de serviciile de beauty au acces acum la un spatiu pe care nu l-ar vizita in mod normal, dar acum, tocmai pentru ca este in cadrul familiar al salonului, se simt mult mai confortabil sa incerce, sa probeze haine. In plus, este un spatiu mult mai intim fata de cel al unui magazin obisnuit. Aici beneficiati chiar de consilierea designerului, a hairstylistului, si a tuturor celorlati specialisti din cadrul Vestige Atelier des Beaux Arts.Ne promovam proiectul atat prin pagina de Facebook, dar ne vom dezvolta si un site si planuim cat mai multe editoriale si pictoriale prin care sa dezvoltam si sa propunem tendinte. De asemenea vom crea materiale de identitate in cadrul proiectului Vestige prin care vom face cunoscuti publicului designerii din proiect.sursa imagini. Toata lumea stie fotbal si moda (si politica, dar aceasta nu isi are locul in discutia noastra de azi). Toata lumea le consuma in cantitati moderate din surse mai mult sau mai putin credibile.

Fiecare intelege ce vrea. Putini sunt insa cei care, folosindu-se de stereotipurile prin intermediul carora majoritatea acceseaza aceste domenii, le abordeaza dintr-o perspectiva diferita. In care echipele sunt formate din filosofi de seama ai celor doua tari. Fotbalul devine astfel mai mult decat o alergatura inutila dupa o minge (preconceptie adesea utilizata pentru a defini acest sport). La fel se intampla si in cazul noii colectii pentru sezonul toamna-iarna semnata LANA.F.C.

LANA prezinta o echipa de artisti internationali si nationali atent selectionati de antrenorul/designer Lana. Terenul gazda e pentru a doua oara retailer-ul online (prima colaborare dintre designer si retailer materializandu-se in colectia inspirata din Cimitirul Vesel de la Sapanta).Astfel ca, noul sezon competitional de fashion debuteaza cu o colectie sporty & arty de finala a Ligii Campionilor Artei. Din componența neconventionala a echipei F.C. LANA fac parte: Katsushika Hokusai, un ”Maradona” al graficii japoneze traditionale, Frida Kahlo, aceasta Messi a autoportretelor memorabile, Georgia O’Keeffe, aceasta Ronaldo a picturilor florare, Rene Magritte, un Pele al suprarealismului clasic, Ion Barladeanu, un Hagi al colajelor absurde.

Ce Freza Mi Se Potriveste Program

Ca orice echipa care se respecta, echipa LANA sustine tanara generatie de jucatori creativi, introducand in lotul final artistul timisorean Daniel Brici.Stilul inconfundabil al designerului Lana se regaseste si in aceasta colectie. Print-ul digital este „asul din maneca”, iar seria de 7 rochii si 7 bluze printate cu opere usor recognoscibile apartinand jucatorilor de elita enumerati mai sus este perfecta pentru un echipament de iarna ALTFEL.sursa informatii: comunicat presa. Va vorbeam in urma cu cateva zile despre conferintele care vor avea loc in luna octombrie in Cluj-Napoca. Weekend-ul acesta am avut placerea sa particip la prima editie a evenimentului Fashion Garden – Wear Romanian Designs, realizat in colaborare cu TiMAF (Transilvania International Music and Art Festival).

Irina Schrotter a ales sa isi prezinte colectia pentru primavara-vara 2014 in cadrul Saptamanii Modei din Viena (MQ Vienna Fashion Week) continuandu-si astfel colaborarea fructuoasa cu designerul Lucian Broscatean, pe partea de design vestimentar, si cu Mihaela Glavan pe partea de design de accesorii. Calatoriile pe care le planificam an de an sunt o forma de escapism. Fie ca alegem sa evadam intr-un loc exotic, plin de agitatie si straluciri estivale, fie ca alegem sa cutreieram in liniste strazi anonime ale unor locuri fara rezonanta turistica, descoperirea unor noi spatii geografice ne ajuta mereu sa descoperim in noi insine „spatii” neexplorate. Dar calatoriile nu trebuie sa implice neaparat eforturi financiare. Escapismul este o forma de „turism” imaginativ, rezervat indeosebi persoanelor inzestrate cu abilitatea de a visa, cu rabdarea de a descoperi si cu dorinta de a reinventa in permanenta realitatea.Noua colectie capsula semnata Lucian Broscatean, creata in exclusivitate pentru magazinul online Molecule F pare sa constituie garderoba perfecta pentru o calatorie imaginativa. In urma cu un an, Lucian Broscatean isi declina colectia Dream Map, colectie prezentata in cadrul Saptamanii Modei din Berlin, intr-o mini-colectie pentru acelasi magazin online. Cel de-al doilea capitol al povestii pe care designerul o contureaza pentru site-ul Molecule F se intituleaza Sliced Molecule si are ca sursa de inspiratie logo-ul creativ al site-ului.1 logo, 8 piese vestimentare, minim 2 modalitati in care piesele pot fi reconfigurate, nenumarate posibilitati de evadare din cotidian.sursa poze.